Accompagnato

I spent the weekend on the general topic of recitativo accompagnato.

First, a little crowdsourcing for repertoire information:

Post by Jordan Smith.

An outline, some collated information out of Oxford/Groves (a work in progress in collaboration with several colleagues, our summary found at bottom):

Some information from a favorite on my reference shelf: The Art of Accompanying and Coaching by Kurt Adler.

And my teacher's take from the Conductor's point of view:

The Score, the Orchestra, and the Conductor  by Gustav Meier